Wolves in Winter – Joan Aiken’s enduring legacy, part 1.

Right at the beginning of my first job as an English teacher, in South London in 1983, I was shown where the Department book cupboard was and told to have a rummage. This was cutting edge preparation back in the Eighties, when it was assumed that new teachers might have some ideas of their own about what to teach and how to teach it. I can still remember using that oh so familiar standard issue ILEA master key to gain entrance to this Aladdin’s cave of treasures. A gloomy, cavernous store hung with the smell of dust, chalk and cleaning fluids, it revealed its secrets fitfully as the neon strip light coughed into life, taking several pings before flooding the area with dazzling white light. I shut the door behind me. In the glare, the rows and piles of books covered all four walls and most of the floor. Later in my career,…

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Saltwater – Jessica Andrews

This debut novel by Sunderland writer Jessica Andrews won the Portico Prize for fiction in 2020, an award explicitly about representations of The North. As an exiled Northerner, and a North -Easterner like her at that, the idea has a lot of traction for me. The North is a different country, even in these days of the crumbling Red Wall, and is generally either underrepresented or misunderstood. The other pull of the novel is that it is about a working-class woman’s experience of university education, of moving away from her Sunderland home to live and study in London, and her struggles to adapt to a very different set of people, with different assumptions, beliefs and values. Even in 2021, literary representations of working-class life are as rare as hen’s teeth (Shuggie Bain a notable recent exception), so a new one like this is to be welcomed. What makes it even more special is…

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The Watcher and The Friend – published on June 11th!

What I've been reading recently is endless proofs of my first novel for children, "The Watcher and The Friend". And finally, publication day is approaching, with June 11th confirmed as the official launch date. It's a very exciting prospect and one for which I must offer some thanks to those who have played a big part in the book's journey. Firstly to Richard Mayers, whose patience and support were so important during the editing process. His skill and experience in suggesting changes were invaluable. Next, to my beta readers who generously gave their time to read an early version of the story. Once again, their perceptive comments, and their enthusiasm for the book, gave me extra impetus to complete the project. Finally, I must thank the students of Mayfield Grammar School in Gravesend, who were the unwitting participants in the book's first public outing. This is the time for my confession, as I…

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